ARTH 200
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Art History Careers
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3.0
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SP
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This course familiarizes students with career tracks for art historians in the academic, museum, and commercial spheres. Emphasis is placed on building professional skills such as writing, editing, curating, and documentation. 3 hours lecture.
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ARTH 400W
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Art History Issues (W)
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3.0
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INQ
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W
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In-depth investigation of special areas of interest in art history, based upon particular faculty competencies and student interest. Recent topics include Visual Cultures of the Mediterranean, 1-1000 CE; Art of the 1960's & 1970's; Monsters and the Monstrous; and Monster Movies. 3 hours lecture. You may take this course more than once for a maximum of 9.0 units. This is an approved Writing Course.
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ARTH 411W
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Greek Art and Architecture (W)
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3.0
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INQ
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W
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In-depth study of Greek art and architecture. The course is thematic, with emphasis on gender, sexuality, race, and cultural identity. 3 hours lecture. This is an approved Writing Course.
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ARTH 412W
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Roman Art and Architecture (W)
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3.0
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INQ
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W
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In-depth study of Roman art and architecture. The course is thematic, with emphasis on the political, religious, and social elements of Roman art and architecture. 3 hours lecture. This is an approved Writing Course.
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ARTH 413W
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Medieval Art and Architecture (W)
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3.0
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INQ
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W
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In-depth thematic study of medieval art and architecture. The course is thematic, with emphasis on religion, geography, sexuality, race, and monstrosity. 3 hours lecture. This is an approved Writing Course.
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ARTH 433W
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20th Century Art (W)
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3.0
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INQ
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W
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An investigation of the history of modern art from the early-to-mid twentieth century. The course covers such movements as Cubism, Expressionism, Constructivism, Dada, Surrealism, Abstract Expressionism, Pop Art, and Minimalism. An emphasis is placed on understanding how art relates to critical debates and social and historical contexts. 3 hours lecture. This is an approved Writing Course.
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ARTH 441W
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Contemporary Art (W)
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3.0
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FS
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W
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An investigation of artists and issues in the global contemporary art world. 3 hours lecture. This is an approved Writing Course.
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ARTH 451W
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American Art (W)
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3.0
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INQ
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W
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An investigation of the history of American art from the colonial period to the present. This course examines a range of media and critically analyzes the representation of race, gender, class, and power in the history of American art. 3 hours lecture. This is an approved Writing Course.
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ARTH 471W
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Ancient Mexican Art (W)
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3.0
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INQ
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W
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A survey of ancient Mexican art and culture of formative, classic, conquest, including the Olmec, Teotihuacan, Zapotec, Mxtec, Classic Gulf Coast, Toltec, and Aztec. Sites discussed include El Tajin, La Venta, Monte Alban, Mitla, Tula, and Tenochtitlan 3 hours lecture. This is an approved Writing Course.
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ARTH 472W
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Maya Art (W)
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3.0
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INQ
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W
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An investigation of the art of the ancient Maya of Mexico and Central America prior to European contact, from the Preclassic to Postclassic periods. The relationship of art to religious beliefs and practices will be explored, as well as the development of local styles associated with royal courts. Sites discussed include Tikal, Palenque, Copan, Uxmal, and Chichen Itza 3 hours lecture. This is an approved Writing Course.
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ARTH 473W
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Meso-American/Colonial Art (W)
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3.0
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INQ
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W
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Prerequisites: ARTH 120.
This course is also offered as
CHLX 473W.
A survey of Mexican art and culture from the Cortesian Conquest, the Colonial Period of monastery- and church-building, the Revolution of 1810, the Revolution of 1910, and the painters of the great revolutionary mural movement that followed, Rivera, Orozco, and Siqueiros, to contemporary artists who have tended toward international pluralism. Attention is given to the process of acculturation that produced the modern Mexican peoples, their national character, and their contemporary art. 3 hours lecture. This is an approved Writing Course.
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ARTH 474W
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Ancient Andean Art (W)
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3.0
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INQ
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W
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An investigation of the art of Peru and adjacent regions prior to European contact. The relationship of art to religious beliefs and practices, political ideologies, and the significance of styles and technologies are examined. Cultures surveyed include Chavin, Paracas, Nasca, Moche, Tiwanaku, and Inka, as well as the Northern Andean civilizations such as San Agustin. 3 hours lecture. This is an approved Writing Course.
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ARTH 475W
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American Indian Art (W)
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3.0
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INQ
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W
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Investigation of the traditional and contemporary arts and cultures of the Amerindian and Eskimo of the continental United States, Canada, and Alaska. Six major culture areas will be examined: the Arctic, Pacific Northwest, California, the Southwest, and Eastern Woodlands, and the florescent cultures of the Plains and Intermontane. Such problems as a definition of Indian Art, transoceanic contact, acculturation, and the moral and ethical questions posed by Indian Rights will be considered. 3 hours lecture. This is an approved Writing Course.
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ARTH 476W
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African Art (W)
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3.0
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INQ
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W
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An investigation of the arts and cultures of the African continent, with major emphasis upon the Negroid peoples south of the Sahara, the medieval kingdoms of the Sudan and the rain forest cultures and great civilizations of Ife, Benin, and the Congo, the sculpture, painting, body art, architecture, music, dance, belief systems, aural tradition of folklore, and reciprocal influences with other continents will be considered. 3 hours lecture. This is an approved Writing Course.
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ARTH 481
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Modern History of Interiors, Furnishings, and Architecture
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3.0
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SP
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Survey of the language of form and space and stylistic vocabularies related to interiors, furnishings, and architecture for 19th and 20th century European and American art from the Colonial period. Styles such as Arts and Crafts, Art Nouveau, Art Deco, Bauhaus, Memphis, and Postmodern addressed, and architects and designers such as William Morris, Frank Lloyd Wright, Eileen Gray, and LeCorbusier included. 3 hours lecture.
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ARTH 484
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History of Photography
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3.0
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FA
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The development of photography from roots in classical and medieval discoveries to the present, its role in historical documentation, its reciprocal influence upon the arts, its contribution to science, and its importance as an extension of human vision. Non-silver processes and fusion of photography with computer and other media will be examined. Ansel Adams, Imogen Cunningham, Alfred Stieglitz, and Edward Weston are among the photographers to be considered. 3 hours lecture.
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